{"id":4379,"date":"2018-06-23T09:13:07","date_gmt":"2018-06-23T07:13:07","guid":{"rendered":"https:\/\/slolux.eu\/?p=4379"},"modified":"2024-01-03T18:10:22","modified_gmt":"2024-01-03T17:10:22","slug":"vodaine","status":"publish","type":"post","link":"https:\/\/slolux.eu\/hr\/vodaine\/","title":{"rendered":"Poziv na izlo\u017ebu - na\u0161 sunarodnjak Jean Vodaine (Vladimir Kau\u010di\u010d)"},"content":{"rendered":"
\n

Poziv<\/h2>\n
\n\nDragi sugra\u0111ani,<\/p>\n

U prilogu \u0161aljem pozivnicu za izlo\u017ebu na kojoj \u0107e od 26. lipnja jedna od pet dvorana Nacionalnog centra za knji\u017eevnost (CNL) u Merschu biti posve\u0107ena na\u0161em sunarodnjaku Jeanu Vodainu. Vidjeti:\u00a0https:\/\/cnl.public.lu\/en\/agenda\/manifestacije\/2018\/06\/Vernissage-Expo-Schrift-und-Bild-im-Dialog\/index.html<\/a><\/p>\n

Ujedno vas molim da poziv objavite na dru\u0161tvenoj stranici.<\/p>\n

\u0160aljem jo\u0161 par slika sa stranice CNL-a koja se ina\u010de nalazi na:\u00a0https:\/\/cnl.public.lu\/fr\/agenda\/manifestacije\/2018\/06\/Expo_Schrift-und-Bild-im-Dialog\/index.html<\/a>. Mo\u017eda ih nisam najbolje skidao...<\/p>\n

Evo i \u010dlanka Marjana Drnov\u0161eka iz \u010dasopisa Dve domovini\/Two Homelands, ZRC SAZU, posve\u0107enog Loreni, iz 2002. A \u0161to zna\u010di >bad adn< u naslovu ovog \u010dlanka? To na tolminskom zna\u010di >Budi netko!<. To su rije\u010di njegove majke. To je prenio i na svoje francusko prezime Vodaine (promjenom slova >b< u >v<).<\/p>\n

Koliko mi je poznato, nijednom slovenskom umjetniku koji je kreativno bio prisutan (i) u Luksemburgu ovdje nije ukazana tako velika \u010dast.
\nO njemu \u0107emo jo\u0161 \u010duti jer je u pripremi poseban svezak sabranih djela velikog luksembur\u0161kog pjesnika Edmonda Duna (prepiska), s kojim je J. Vodaine prijateljevao i dopisivao se.<\/p>\n

Hvala unaprijed!<\/p>\n

Srda\u010dan pozdrav, Vera Pejovi\u010d<\/p>\n

\"\"<\/a><\/p>\n\n<\/div>

O izlo\u017ebi<\/h2>\n
\n\n

Lo\u0161a reklama: Jean Vodaine<\/strong>
\n\u010casopis Dvije domovine<\/strong>
\nLorraine, 2002. (enciklopedijska natuknica).<\/strong>
\nhttp:\/\/www.sistory.si\/cdn\/publikacije\/15001-16000\/15059\/Dve_domovini_16.pdf<\/a><\/p>\n

Tolminski muzej; Pilonova galerija u Ajdov\u0161\u010dini (ur. Irene Mislej), 2002., 75 str.
\nTko je Jean Vodaine? Poznatiji umjetni\u010dkim i iseljeni\u010dkim krugovima nego \u0161iroj slovenskoj javnosti i
\n\u010dak i kao Vitez umjetnosti i knji\u017eevnosti vi\u0161e u francuskim krugovima nego u rodnoj Sloveniji. On je pjesnik
\ni prevoditelj i izdava\u010d, tiskar i ilustrator, a ponekad i sve te djelatnosti
\nme\u0111usobno isprepli\u0107u. No, nije posve nepoznat, o njemu su pisali Primorski dnevnik
\n(1964), Marijan Tr\u0161ar u Na\u0161im pogledima (1968), Bo\u017eidar Borko u Le livre slov\u00e8ne, Tit Dobr\u0161ek u
\nDelu (1969) i dr.; dobila je svoje mjesto u Enciklopediji Slovenije (2000), a prije toga i u
\nPrimorski slovenski biografski leksikon (1982.), sli\u010dno kao i njegov "francuski" sunarodnjak,
\nmedijski poznatiji skladatelj i trombonist Vinko Globokar. Tek u posljednjem desetlje\u0107u
\nsve vi\u0161e "otkrivamo" slovenske intelektualce po svijetu, posebno one koji su vi\u0161e ili manje bili
\n"nezanimljiv" za slovensku (politi\u010dku) javnost, ili su kontakti bili ograni\u010deni na osobnu razinu. Nije
\nUvijek je bila kriva ideolo\u0161ka nesno\u0161ljivost, ali \u010desto i neopreznost, nezainteresiranost,
\nsamozadovoljstvo ili guranje do ruba na\u0161eg pona\u0161anja u duhu jer se radi o ljudima koji \u017eive u inozemstvu i
\nve\u0107ina ne zna ni slovenski jezik. Mislim da se ovakav na\u010din gledanja, iako u maloj mjeri, raspada
\npremalo revnosti. Oprosti.
\nUz izlo\u017ebu Vladimira Kau\u010di\u010da (Jean Vodain) objavljena je ilustrativno bogata publikacija -
\nosmislio ju je Ranko Novak - koji nam je uz svoja razmi\u0161ljanja na francuskom i slovenskom dao opse\u017enu
\npredstavlja Vladimira (Fr\u00e9d\u00e9rica) Kau\u010di\u010da; s roditeljima se kao trogodi\u0161nje dijete preselio u Francusku, gdje
\njo\u0161 i danas \u017eiv. Do\u010dekao ga je Silvester Gaber\u0161\u010dek (Dobro do\u0161li umjesto
\nuvoda\/La bienvenue au lie de la pr\u00e9face), o njegovom slikarstvu i poeziji mag.
\nPetra \u010cerne Owen (Pismo kao pjesni\u010dki alat\/La typographie, instrument de po\u00e9sie), fr.
\nprijateljstvo izme\u0111u Pilona i Vodaina dr. Irene Mislej (Pilon i Vodaine, kreativa
\nprijateljstvo\/Pilon et Vodaine, une amitie cr\u00e9atrice) i o Vodaineovom povratku Joe Ryezko (Vodaine
\nponovno ku\u0107i\/Vodaine est de retour), nakon \u010dega govori sam Vodaine (Tu i tamo. Ulomci iz
\nPutni\u010dki solsticij\/A batons rompus. Extraits des Passagers du Solstice). Na kraju, mo\u017eete
\npro\u0161etajmo kroz njegov dosada\u0161nji \u017eivot (\u017divljenjepis\/Biographie), te se upoznajmo s
\npregled njegovih radova koji se nalaze u Sloveniji (Bibliografija radova u Sloveniji\/Bibliographie des
\n\u0153uvres en Slov\u00e9nie), a \u010duvaju ih Pilonova galerija u Ajdov\u0161\u010dini, Tolminski muzej u Tolminu i
\nNacionalna i sveu\u010dili\u0161na knji\u017enica u Ljubljani. Rije\u010d je o djelima koja je stvorio kao autor i
\nprevoditelj, izdava\u010d, tiskar i ilustrator. Za kraj je dodan izbor bibliografije o Vodainu.
\nVodainovo likovno i knji\u017eevno stvarala\u0161tvo prepu\u0161tam stru\u010dnjacima, samo da spomenem
\nmoto koji je Petra \u010cerne Owen odabrala za uvod u svoj prilog, koji prikladno izra\u017eava njegov rad:
\n"Das Word und das Bild sind eins. Maler und Dichter geh\u00f6ren zusammen!\u201d (Hugo Ball, Flucht
\naus der Zeit, 13. lipnja 1916.). U nastavku bih nanizao samo nekoliko misli o njegovom \u017eivotnom putu
\nili sje\u0107anja na o\u010deve po\u010detke u Francuskoj. Prema njegovim rije\u010dima, roditelji su se iselili
\ntada\u0161njeg Julijskog Veneta (Tolmin) iz gospodarskih i politi\u010dkih razloga, budu\u0107i da su o
\nprisilio ga da se u\u010dlani u fa\u0161isti\u010dku stranku kako bi mogao zadr\u017eati svoju radionicu. To je bilo 1924. Kao
\nmnogi drugi Slovenci, odlu\u010dio je otputovati u inozemstvo, do\u0161ao je u departman Moselle, gdje je isprva radio
\nAlgrange rudnike, nakon \u010dega odlazi \u201cna svoje\u201d i radi kao postolar. Vodaine je tako\u0111er gotova
\nizu\u010dio za postolara u katoli\u010dkoj pu\u010dkoj \u0161koli. U Basse-Yutzu, gdje su iznajmili ku\u0107u, upoznali su ljude
\nkomunicirao na njema\u010dkom (ipak su roditelji i\u0161li u pu\u010dku \u0161kolu u Austriji), majka je znala
\ntako\u0111er talijanski, ali su kod ku\u0107e govorili slovenski. No budu\u0107i da su Poljaci vjerojatno bili ve\u0107ina<\/p>\n

tamo\u0161njih doseljenika, Kau\u010di\u010devi su postali i "Poljaci", \u0161to je bila oznaka za sve strance koji
\nubrzo dobio pejorativno zna\u010denje. Kao dijete jezi\u010dno ga je oblikovalo dje\u010dje dru\u0161tvo u kojem se nalazi
\novladao znanjem "alza\u0161kog", ili mje\u0161avine, kako se govorilo u Loreni, i to tek s ulaskom
\npu\u010dkoj \u0161koli upoznao francuski, koji ga je, ako dobro razumijem njegova sje\u0107anja, privukao ako
\nne tada, nego kasnije. Uglavnom je u\u010dio sam. Poznavanje jezika sredine u kojoj \u017eivite je
\nva\u017ean za svakoga tko se u njemu \u017eeli kreativno baviti. Napisao je: \u201cNikad nisam bio u Francuskoj
\nosje\u0107ao kao stranac. I to s dobrim razlogom: u\u0161ao sam u svijet francuskog jezika\u201d (str. 48).
\nZa mladog Kau\u010di\u010da savladavanje francuskog bila je ulaznica za budu\u0107i rad, koji je
\nmnogo puta susreo sa surovom stvarno\u0161\u0107u. Tako je radio kao nekvalificirani radnik u tvornici \u017eeljeza u
\nThionville (1951-53), na \u017eeljeznici (1956), ozlije\u0111en na radu (1960), kasnije predavao na
\n\u0160kola likovnih i primijenjenih umjetnosti u Metzu (1972-75). Bilo je mnogo slovenskih umjetnika
\nu inozemstvu, koji su svoj rad kako bi pre\u017eivjeli morali uskla\u0111ivati sa svojim umjetni\u010dkim \u017eeljama, \u010desto i na
\no\u0161te\u0107enje umjetni\u010dke izvedbe i planova. Istaknimo i prijateljstvo Pilona i Vodaina.
\nPovezivala ih je poezija i njezino oslikavanje, a nedvojbeno i blizina rodnih mjesta, gdje se osje\u0107a
\ntopli utjecaj mediteranskog svijeta, ali ponajvi\u0161e, dakako, umjetni\u010dki interesi. A \u0161to zna\u010di "lo\u0161 oglas" u
\nnaslov publikacije? To na tolminskom zna\u010di "Budi netko!" Njegove su rije\u010di
\nmajke. To je prenio i na svoje francusko prezime Vodaine (promjenom slova "b" u "v").
\nUkratko, nema sumnje da je Vladimir Kau\u010di\u010d uspio, unato\u010d brojnim problemima i nesporazumima
\ndokazuje to i predstavljena publikacija.
\nMarjan Drnov\u0161ek
\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Dragi sunarodnjaci, u prilogu vam \u0161aljem pozivnicu za izlo\u017ebu koja \u0107e se odr\u017eati u jednoj od pet dvorana Nacionalnog centra za knji\u017eevnost (CNL) u Merschu od [\u2026]<\/p>","protected":false},"author":1,"featured_media":4381,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[30,53],"tags":[],"class_list":["post-4379","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-objave-obiskovalcev"],"yoast_head":"\nVabilo na razstavo - 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